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![]() In 1963 when a Fender bassist didn't show up for a record date at Capitol Records, she picked up the Fender bass (as it was called then) and augmented her busy schedule playing bass and grew quickly to be the no. She has played and taught guitar professionally since 1949, played bebop jazz guitar in dozens of nightclubs around Los Angeles with top groups (also in Bob Neal's jazz group with Jack Sheldon backing Lenny Bruce, with Teddy Edwards, Billy Higgins etc.), accidentally got into studio work late 1957 with the Sam Cooke recordings and other big recordings on guitar for the 1st 5 years of studio work in Hollywood. ![]() Carol Kaye was born in Everett, Washington to musician parents, Clyde and Dot Smith, both professionals. ![]() The public flocked to the nightclubs to listen earnestly to the new tango - a revolution and profound disruption of certain forms of old tango. Brazil and Argentina met in Buenos-Aires - bossa nova and the new tango were "same battle". Night-club 1960:Ī new evolution was witnessed during this period, in which international exchange increased considerably. Tango orchestras were made up of two violins, two bandoneons, a piano and a double bass. The tango became slower, more melancholic, and incorporated new harmonies. People no longer danced to it, as in the 1900s and became satisfied by just listening, which allowed for a more musical and romantic evolution. It is music full of charm and vivacity, that gives the impression of the good spirits and volubility of the French, Italian and Spanish women who lived in these brothels, enticing the policemen, thieves, sailors and hoodlums who visited them. The piano was added later, followed by the bandoneon. It was first played on the guitar and the flute. The tango was born in Buenos-Aires in 1882. |
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